Sheila Whitaker

[…]s after we got back to London a bomb dropped right opposite and I’m one of those people that didn’t hear the bomb. This apparently does happen. I was soundasleep.SF: You were fast asleep, yes?Didn’t hear the bomb which was only...SF: Was too close....twenty yards away and all the window was blown in[…]

Harry Manley

[…]ket, they thought they could buy CFS when Bill Ingram was managing director of Technicolor – it didn’t lead to anything; in the 1960s CFS installed a sound recording facility in the basement of a new property adjacent to theirs which proved to be very successful – mainly industrial films with Richar[…]

Jill Craigie

[…]various prints round about the place, and people took negatives from the prints. Of course the stock was quite different in those days, you know, the sound of course is ??... But it was the first film about modern art, and today if anybody wants any sort of stuff about Henry Moore, which they do fro[…]

David Watkin

[…]d have to be able to walk through the bars, but if you were to do that, you would photographically disappear, which had this great advantage that the sound crew could be in shot.  It didn’t matter.  They couldn’t be photographed.  And it also meant that whatever … provided Peter was o[…]
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