[…] got them to the stain and they’re really something I. now that came in to my mind when I started photographing the camera men for Oscar winners. The sound people and I thought all these wonderful technicians and none of them ever get any publicity why don’t I as a photographer outside the system&nb[…]
[…]And that was caused a severe interruption to anyone's career. Darrol Blake 8:00 Yes, but just before that started, you, it sounds as though you were in a nice little University of comedy writing or licenced statement writing and producing or were you in any way part of tha[…]
[…]and try feel like this, I said, but don't copy their voices. See what they put into a song, how they act a song, but use your own husky voice. And it sounded like a cross between Como and Crosby when we'd started to work on it. Ernest Maxin 30:16 So three weeks later[…]
[…]th the whole technique of making films now? I mean the special effects are so much more impressive.Phyllis Dalton Page 52Oh, incredible.The sound. With beautiful emulsions, the film emulsions that can produce the colours now. I mean I remember shooting Eastman Color, say twenty years ago, […]
[…]w he worked with; Cruel Sea, Mandy, Titfield Thunderbolt made at Ealing when BN was there; BN discusses back-projection techniques; BN contributed to sound effects for The Cruel Sea; worked on The October Man at Denham; BN stayed at Ealing for two years; the Shell Film Unit offered him a permanent j[…]
[…], these potatoes you see - culinary bullshit - you watch it on the tele now you know. I wish I could impersonate that American guy, you know he sounds like he’s got something shoved up his arse. You know the one I mean? Anyway, old John who worked on the fish, dropped this platter […]
