Search Results for: Sound Design

[…] as you know. They went over from optical to magnetic sound. I don't know if it was easy. I remember […]

[…]e any major considerations during that transition? Did your approach change at all?PS: It necessarily changed, but in that period one would hear what sounds like a ridiculous question today: Is this a colour film, is this film suitable for colour, or is it a black and white film? Really, truthfully […]

[…]ackground?John Krish: Yes. My father was a musician and he created a symphony orchestra of unemployed musicians - unemployed because of the coming of sound, strangely enough, people who played in the pits in cinema - and that was called 'The New Metropolitan Symphony Orchestra'. And I was one of fou[…]

[…]right in the middle of it was the Conservative Films Officer, a redoubtable lady called Winifred Crum-Ewing. She looked every inch a Tory matron, and sounded it. She always turned up at General Council meetings. And everyone was fond of her because they knew what she was going to say and amidst all […]

[…]bought a camera off, fifty pounds, and we started. He had a titling business - embossed titles. Well it was rather a ridiculous business to buy since sound films were just coming in. So that side was a bit of a disaster but we started making advertising films and that was really quite successful.Ala[…]

[…] er...I heard that they wanted a Loading Boy at er Sound City...John Stafford Productions. So I rang up, and the […]

[…] camera. 3 Alan Lawson: Just a second. What about the sound? Julia Cave: Ah! The sound is very much in […]

[…] Dillon Tape 1, Side 1 Sidney Cole: 23rd Actually. Unidentified Sound Recordist: Yes, you're right. 23rd June 1993. This is […]

[…] Well it was rather a ridiculous business to buy since sound films were just coming in. So that side was […]

[…] manager left and it was closed up and not a sound, not a sound. Suddenly a truck with Sound City […]