Search Results for: Sound Design

[…]              Well, he was very much that. I was working as an assistant in the sound side of the editing.                    &nbs[…]

[…]Kay Mander: Canada.Joy Batchelor: Mm. Because when I first met him he was working here. Always very quiet, always frightfully industrious.Kay Mander: Sound is very important in....Joy Batchelor: Well yes, we've been very lucky with our composers. And also I think very fortunate in establishing quite[…]

[…] will you write the script. I into a script, and we had two locations, we had a unit of about 14 because we had generators and sparks and an enormous sound truck, was it from Riverside, Leo Wilkins,AL : No Shepperton.BM: We had this enormous unit and I had to find accomodation for them, we were shoo[…]

[…]ake prints, all the editing was done electronically, but we’d have the first port of call for the daily rushes, negative transfers and syncing up the sound, and that sort of thing. So, I did plenty of that. Sound syncing on a device called a SADiE, and the daily negative transfers. That started to d[…]

[…]now that we carried on for a while and then he'd made a a signal with his arm. And I've tried to figure out what he meant by that and somehow he must sound up. So I looked behind me and there was a little button that said raise and lower. So I hit raise and of course the lights went up in the theatr[…]

[…] their wisdom didn’t give us a first-class crew.  It was an OB crew, you see, who really only shot sports actually. And they couldn’t handle the sound system so in the end we went to the Odeon.  I think we did it in the Odeon.  That was right wasn’t it I think?DARROL BLAKE:  The […]

[…]e four hours all together for television, and one deals with her point of view of him, and the second two hours, about his point of view of her. That sounds very interesting, because then you can overlap the action. And you can also do certain memory things about that particular past. It's complicat[…]

[…]0:03:11 MIKE: One thing that was interesting, we talked about Kubrick when you first met him and the kind of, the way that he would work with you, it sounds as though when you were working on your own, what was his reaction when he would come and look at the kind of work that you were doing? Because[…]

[…]I mean, what did it look like?Unknown Speaker  9:04  It's just a frame, no samples. Nothing.Sid Cole  9:07  Well, they hadn't got sound yet. AndUnknown Speaker  9:10  it had been an aircraft factorySid Cole  9:11  installed.Unknown Speaker  9:12  I'v[…]

[…]te: 2003-11-10Interview Date: 1993-06-23Interviewer: Sidney ColeInterviewee: Carmen DillonTape 1, Side 1 Sidney Cole: 23rd Actually.Unidentified Sound Recordist: Yes, you're right. 23rd June 1993. This is Sidney Cole interviewing Carmen Dillon.Sidney Cole: Right. Carmen?Carmen Dillon: Yes?Sidne[…]