[…] you went to BIP; wa s that with the BTH sound system? [RCA equipment at BIP Elstree; first Ring at […]
[…]in reality mainly because you were able to get this stuff from. Yes it may sounds it may sound characters that that one is reading reading modern languages but&[…]
[…] who was in charge of the whole of the film department up there. Well now Phil Dorte of course I knew, I'd worked with at Gaumont's. Phil Dorte was a sound recordist at Gaumont's and we worked together on - he was in the sound department, I was in the camera department but not in the same relative g[…]
[…] photograph. He wants to edit it. He wants to do sound. And. He wants to literally do everything now. I […]
[…]cutting room and that was being worked on, liaising with production and the other disciplines as well. You know when the film was finished you do the sound track-lay and when the transmission print came back from the laboratory then just making up the rolls to, ready to go to telecine. So well, lots[…]
[…] the shooting every weekend. [TIME 00.07.51] The nice thing about it was with each film we all rotated jobs so if you did camera on one, you would do sound, well not sound so much in those days, but you would do say continuity or something likethat, which was good, so you did get a chance. But the r[…]
[…]very vain man who had an inflated sense of his own abilities. He did have a vision, which was to make the complete artistic expression with music and sound and performance and colour and you know the whole thing, which they did with Tales of Hoffman and The Red Shoes to some extent that was on, on t[…]
[…]aw some Ruritanian light musical comedy with Nelson Eddie and Jeanette Jeanette. Dang it Yes.John P Hamilton 9:10 So you were born in the sound booth Yes. Sound was not to mention of course sound radio Did you listen to radio? Oh,Gerald Chambers 9:17 very much so. And the wal[…]