[…]I think that's what...with so many films on at BIP, we couldn't have had much stage space, I can't remember exactly how much we had.John Legard: That sounds quite a healthy period in British filmmaking...Peggy Gick: It was very busy, yes.John Legard: ...in 1935 we're talking about, '34, '35?Peggy Gi[…]
[…]acting she is a good sculpture she's also had a very good singing voice is almost operatic you never say never, never used it in films actually sound is I think she only sang in one film the donkey's years ago that she's saying that famous, opers swinging down the lane. Remember swinging[…]
[…]e got most of his films that I haven't got spring offensive. So anyway, Yes, right.Charlotte Jennings 30:16 The first I hope this doesn't sound too stilted. But this really is because we were looking no because this these were the films that we were looking at. And thisAlan Lawson […]
[…]sweet individual as well. He saved me when I was arrested in East Germany for instance at Leipzig. May I to you this story? Bob Godfrey: Yes, it sounds interesting. John Halas: I was doing work in Munich, West Germany and I had to go to the Leipzig Festival where I was on the jury. And I f[…]
[…]three, which went on I think for about, I can’t remember, was it six weeks, or two months, or something, but it was basic studio managing techniques, sound effects up through microphone balancing and basic recording and things like that and then we were attached to various parts of radio. I was in s[…]
[…] a toilet, a day compartment, a sleep department, a workshop, so and our gear was a 35 mill simplex art projector. Complete was transformer. This was sound film, by the way, a Mercury art rectifier, Mercury art fitter, an Iron House non sync and screens of varying sizes. SoSpeaker 4 22:16 &nbs[…]
[…]t it, I can't even remember who my agent was, probably Al Parker, he was a character.Roy Fowler: Ealing as I remember had three stages.Robert Beatty: Sounds about right.Roy Fowler: Was San Demetrio a big film in terms of the studio.Robert Beatty: Fairly big. They had a model stage as well, which mig[…]
[…] technically demanding spaces of the projectionist’s ‘box,’ rewind room and sound room to ensure that British audiences could keep calm, […]
[…]to print the photos, develop and print the photographs that the photographers would take so I saw an advert for a Stills Photographic Technician that sounded great in Scottish Television and this was, I stayed there for a couple of years and then I applied for the job with Scottish Television and, f[…]
