[…]es. And walking and movement I think they are… its… its different I mean they’re changing over her now. I hope.Yeah sort of. Yeah sort of some of the sound sort of people have said that the American actors were at doing voice overs if necessary much better than the British ones who tend to freeze up[…]
[…]hile I was working there making dip tests for, for Radio Luxembourg was it with the, with the early morning and taped news, and the, and the, and the sound tracks were developed then in the early hours of the night.Oh.And, mm, we used to, and until we created the datum for all, all this... [Pause] O[…]
[…]ember him from when he was starting to direct, you know.I’ve told you about a good many of the editors I think.Did Bob Allen work for you? Bob Allen, sound recordist?I don’t remember, no. No, we never had sound. Oh, we might have on a picture. We had electricians of course always because t[…]
[…] BL3, which was the first, or the new generation of sound cameras from Arriflex which would accept most makes of […]
[…] later on in the 20s, he moved 2 3 into sound films, the late 20s and did a couple of […]
[…] forever. And of course again when you're 21, 3 years sound like an infinity. Norman Swallow: Did you specialise or […]
[…] (http://historyproject.org.uk/content/lindsay-anderson) and Oswald ‘Ossie’ Morris (http://historyproject.org.uk/content/oswald-ossie-morris). Secondly there was the sound recordist Maurice Askew (http://historyproject.org.uk/content/0294) who before doing The Boy […]
[…] bombers coming into London would fly very low passed out. I remember my mother was ill in bed, once with pleurisy, and I heard this, this, this, the sound of these engines. And I opened the curtain, looked out of the window, and there was a German bomber. In fact, several German bombers passing by […]
