[…]w he worked with; Cruel Sea, Mandy, Titfield Thunderbolt made at Ealing when BN was there; BN discusses back-projection techniques; BN contributed to sound effects for The Cruel Sea; worked on The October Man at Denham; BN stayed at Ealing for two years; the Shell Film Unit offered him a permanent j[…]
[…], these potatoes you see - culinary bullshit - you watch it on the tele now you know. I wish I could impersonate that American guy, you know he sounds like he’s got something shoved up his arse. You know the one I mean? Anyway, old John who worked on the fish, dropped this platter […]
[…]ket, they thought they could buy CFS when Bill Ingram was managing director of Technicolor – it didn’t lead to anything; in the 1960s CFS installed a sound recording facility in the basement of a new property adjacent to theirs which proved to be very successful – mainly industrial films with Richar[…]
