[…]three, which went on I think for about, I can’t remember, was it six weeks, or two months, or something, but it was basic studio managing techniques, sound effects up through microphone balancing and basic recording and things like that and then we were attached to various parts of radio. I was in s[…]
[…]as one called Bunny Hutchins who used to do quite a lot of work for them, but I normally went out as second camera to any of those, and the so-called sound cameramen were Paul Wyand, who's was far and away the sort of ace of the lot, Jack Cotter, who was basically, the senior newsreel man, and Alf T[…]
[…]. Peter Bradford came to join us,Unknown Speaker 22:31 and Frances gas and I already mentioned,Speaker 1 22:39 did you have a sound department? Did you generally do think sound or not very often, notSpeaker 2 22:45 very often. Man, if we did, we engaged as sound. […]
[…] will you write the script. I into a script, and we had two locations, we had a unit of about 14 because we had generators and sparks and an enormous sound truck, was it from Riverside, Leo Wilkins,AL : No Shepperton.BM: We had this enormous unit and I had to find accomodation for them, we were shoo[…]
[…]tion of shot, close-up, medium close-up, whatever, a description of what was happening for those two feet, and the transcript for the matching bit of soundtrack, and you’d do it all again for the next shot and for the whole of what I think was a five- or six-reel film. It took months and this […]
[…]one that was mediaeval that. Yes, soManny Yospa 1:01 any grammeso we're gonna start learning the second one Christmas.She's just going to sound level two now you'rejust getting a sensethat by ChristmasOkay, so when you're ready theGraham Smart 1:14 time's right, we'll make a […]
[…] contained RF : So everyone is doubling up, by the sound of it, on discipline LK: Yes, everybody did something, […]
[…] Goodness knows actually. I've forgotten quite honestly, it was a sound camera anyway but ... Alan Lawson: I know... John […]
[…]ake prints, all the editing was done electronically, but we’d have the first port of call for the daily rushes, negative transfers and syncing up the sound, and that sort of thing. So, I did plenty of that. Sound syncing on a device called a SADiE, and the daily negative transfers. That started to d[…]
[…]yes.Alan Lawson: What camera where you using then on that type of thing?John Turner: Goodness knows actually. I've forgotten quite honestly, it was a sound camera anyway but ...Alan Lawson: I know...John Turner: I hardly ever used a sound camera.Alan Lawson: NoJohn Turner: I mean, I knew the mechani[…]
