[…]monn Atkinson and was a shoe shop. My lesson used to be after a ballroom lesson because I always remember changing, putting on my ballet shoes to the sound, from above of Victor Sylvester ‘I love the moon’ (sings) ‘ I love the moon, I love the stars’. If I ever hear that tune I go right back to bein[…]
[…] I think I was just lucky because they didn't have camera assistants on the newsreel. There was no such thing. The cameraman did everything. But live sound was just beginning and they had the couple camera, the Winton camera with the British Acoustic sound system on the back which meant they were mu[…]
[…] where you will learn and appreciate silent film and early sound film , and sort out our early film collections […]
[…] was knocked against a pillar. And Brad, our very large sound recordist had his Nagra knocked against his chest and […]
[…] of 16 millimetre and particularly out of 16 millimetre synched sound and here you could see this wonderful stretch from […]
[…] We alter nated between being a cameraman , being a sound boom operator , and being a director. And then […]
[…] thespy in the trunk and turned his full blast of his jets onto us and nearly knocked us over I wasknocked against a pillar. And Brad, our very large sound recordist had his Nagra knockedagainst his chest and it wounded him and he fell to the ground. So that was quite a littledrama. Actually, it was[…]
[…]to develop, put it another way, the way that a new cinema was beginning to develop out of 16 millimetre and particularly out of 16 millimetre synched sound and here you could see this wonderful stretch from 16millimetre non-synch which produced the artists’ films associated say with the London Film […]
[…]roduction. He ran that no Stewart Stewart was the producer over the world and action series. monthly series of 10 minute films for cinema release. It sounds strange nowadays, to talk about the Panic of producing a monthly black and white 10 minute film, but I can assure you with a lot of library mat[…]
[…] I mean, they'd be an amateur theatricals and things like that, but nothing more.So how long did you stay at Wharton Hall?I stayed there until really sound came in British Acoustic andTimeline when roughlythat was 1929. I remember I sort of half joined the sound department of it with Stuart Rome. He[…]
