Search Results for: Sound Editor

[…]I think that's what...with so many films on at BIP, we couldn't have had much stage space, I can't remember exactly how much we had.John Legard: That sounds quite a healthy period in British filmmaking...Peggy Gick: It was very busy, yes.John Legard: ...in 1935 we're talking about, '34, '35?Peggy Gi[…]

[…]bsp; [00:00:00]Recording of Ann Meo, approximately twenty-fifth of May, 1996 in France, talking about her days in television. When I was in sound, in radio, I did a tremendous lot of editing and mucking about with tape and everything went round, either to left or to right on things that tu[…]

[…]tuff got amplifiers and mics, that sort of thing. And I set up stereo, I was very interested in stereo microphoning because of the fact that binaural sound allows you to locate the sound source much, much more accurately. And so I got this idea, which was really to use it on on patrol to tell where […]

[…]31st 1995. Reel one,I mightask you when you were born, Christopher Miles  0:28  right, I was born 19, April 39, in London town and the sound of bow bells. So not quite a Cockney, but can you tell me a bit about your family and how you came to be in the film industry?Right. My family c[…]

[…]I mean, what did it look like?Unknown Speaker  9:04  It's just a frame, no samples. Nothing.Sid Cole  9:07  Well, they hadn't got sound yet. AndUnknown Speaker  9:10  it had been an aircraft factorySid Cole  9:11  installed.Unknown Speaker  9:12  I'v[…]

[…]rcumstances is quite extraordinary. WellDennis Kimbley  35:30  taught me an awful lot he was, he was Charlie Parker's from from Kay's whose sound and he taught me anything I knew about sound. And Bill Goldstone taught me an awful lot about camera work and looking at the film and seeing wha[…]