[…] Mill at One, Live Aid etc Louise Willcox , Senior Sound Supervisor Michael Wearing , Producer English Regions Drama, and […]
[…] You know, transferring laboratory, 10 invoices fo r laboratory work, sound work, erm, there was overtime to pay, I mean […]
[…] the Americans. (TIME 23.56) On IMD b there’s Camera, there’s Sound , there’s Costume, Producer, D irector and the n […]
[…] And when they pulled it down, I bought all their sound equipment. A bloke tipped me off, and it was […]
[…] working here. Always very quiet, always frightfully industrious. Kay Mander: Sound is very important in.... Joy Batchelor: Well yes, we've […]
[…]in the much larger research labs in Rochester, New York. But for example, they introduced a new project, a new process, for 16mm reversal film with a soundtrack and it wasn’t working very well. It was an awkward process where you had to apply a re-developer down the edge of the film in the process a[…]
[…]re about a new Arts event that was happening - no training! Absolutely nothing! Off I went with Varik Easton, shooting on reversal, on film, with the sound on the stripe, which had to go to the bath at Yoker to be processed and then come back to STV to be cut about half past three, four o' clock and[…]
[…]y huts. It didn’t need huts at that point. It’s just that it was a long run to pop to thecafé or the Facility Office or whatever. And the stages were soundproof. And the lake and the house was good for exteriors. (TIME 15.08) I think everybody lovedbeing there, yes. So, I wasn’t going to work there.[…]
[…]ehind the whole series was that it would be balanced between the Jewish Zionist community on the one hand and Palestinian Arabs on the other. Doesn’t sound very radical today, but up until that point the Palestinians had always been represented by others: by the Jordanian government, the Egyptian go[…]