[…]ushould think about applying for the National Film School, because somebody I know, Colin Young, has just gone over there to start it up, and it sounds as though it’s going to be a really interesting thing to do.’ So, I thought, I don’t know, I haven’t done any film. And... And, I suppose,[…]
[…]theatre, the old Coventry theatre, not the new Coventry theatre - they pulled the old one down, see. And when they pulled it down, I bought all their sound equipment. A bloke tipped me off, and it was cheap, almost a give-away. The microphones as well, and them microphones, goodness me, there must h[…]
[…]he publicity department, over to 146 Piccadilly, and started with Norman Spencer and David Lean. I was secretary to the two of them, and that was pre Sound Barrier. And we worked on the script of The Sound Barrier and the casting of Sound Barrier at 146 Piccadilly. And then pre-production[…]
[…] him, I got an introduction to Rock studios in 1943 44 this was And I was taken off for a two year apprenticeship at Rock studios. It was six months, sound six months, camera, six months editing six months in production. And at the end of the two years, I was asked what department I wanted to go ian[…]
[…] you come by to the production to film the script and the words put together in the sense of Bill. When the actors and the health is then edited. The sound is added which gives you the magic and the whole thing is his magic gem and you to learn every phase of production we were given a list how to m[…]
