[…] play I want to write. SC: Yes, good. But you sound as if you’ve really enjoyed your life, professionally. DM: […]
[…] later on in the 20s, he moved 2 3 into sound films, the late 20s and did a couple of […]
[…] which weren't very big studios. They were known as associated sound film industries and I wrote to a man called […]
[…] not restricted to the visual; the implications of costuming for sound recording had to be taken into account, such as […]
[…]ad thing, you know, but I had this idea that the boom mike, and we'd got Harry, the boom, who was always on it and he followed you absolutely and the sound was absolutely wonderful in those days. I don't think the sound today, is a bit of a problem. When I watch programmes, some of the things, I don[…]
[…] in.SPEAKER: M4It was fine but the guy next to me on the other side he paints a bit took a spin out of and dropped the grenade into the ditch and the sounds are very commonly picked it up through it. I have a spare. A.SPEAKER: M2Few years later. A very but it saved us from what might have been death[…]
[…]d have to be able to walk through the bars, but if you were to do that, you would photographically disappear, which had this great advantage that the sound crew could be in shot. It didn’t matter. They couldn’t be photographed. And it also meant that whatever … provided Peter was o[…]