Jill Craigie

[…] stock was quite different in those days, you know, the sound of course is ??... But it was the first […]

Nice and Quiet? Ken Russell’s ‘The Boy Friend’ (1971)

[…] (http://historyproject.org.uk/content/lindsay-anderson) and Oswald ‘Ossie’ Morris (http://historyproject.org.uk/content/oswald-ossie-morris). Secondly there was the sound recordist Maurice Askew (http://historyproject.org.uk/content/0294) who before doing The Boy […]

Waseem Mahmood

[…] mean, we even changed the name to Asian magazine to make it more relevant to a younger audience and more accessible. ThatSpeaker 1  14:13  sounds fantastic. And yeah. Great pioneering work, I think, following on from the people who created the immigrants immigrants unit and the work that […]

Peter Suschitzky

[…]e any major considerations during that transition? Did your approach change at all?PS: It necessarily changed, but in that period one would hear what sounds like a ridiculous question today: Is this a colour film, is this film suitable for colour, or is it a black and white film? Really, truthfully […]

Roy Fowler

[…]ed, mm, it was deemed unsatisfactory by the history project itself? Would that be correct?  Well, it was again lack of control. I suppose I sound like Roger Bolton here and a bit of a control freak but, mm, they wanted money to buy equipment and, and tapes and things like that. Well, for G[…]

Peter Stuart Mullins

[…]ou get the next job, whatever. So that’s what happened at Shepperton, and I went there and |I worked on – I can’t think what the first one was: [The] Sound Barrier or [The]Third Man, again painting scenery. You were allocated-DB: Sewers. Sewers.PM: Sewers. They built the whole show on the silent sta[…]

Pete Murray

[…]the best programmes and I mean, I used to say about Alan Freeman, he did Pick of The Pops, he’s the only man that could introduce rubbish and make it sound fantastic.  He was a very exciting disc jockey presenting that type of programme.  Outstanding.  Much better than anybody else. ([…]
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