[…] the king of Greece for as being shown around the studios by Joe with a little entourage behind him. And Joe was indicating this cameras and this new sound equipment and they've got in and so on and so forth. Then you turn ratio but of course you manage all this must be Greek to you. This was this w[…]
[…].But not terribly serious, important. Roughly, at that sort of same period, I made a film called High Speed Flight, part one approaching the Speed of Sound, which I think in its way, it was a very significant film, because it wasn't even possibly is still a standard work in the Russian Air Force, th[…]
[…]icularly in the cutting rooms and the theatre and the recording at Cleveland Street.Stephen Peet 31:14 Did you were you working with sync sound, for instance, down the mine or was it all added sound added later, you recall? Because it usual to work with sync.Alan Izod 31:27 N[…]
[…] Prague. He was a director, writer, producer, cinematographer, editor and sound engineer throughout his career, spanning from the 1920s to the […]
[…] Goodness knows actually. I've forgotten quite honestly, it was a sound camera anyway but ... Alan Lawson: I know... John […]
[…] And that was just when things were changing over to sound. Jack Rockett: That's right. Sidney Cole: Yes. Jack Rockett: […]
[…] department. Moved to Clapha m studios, then to ASFI, Associated Sound Film Industries at Wembley studios where he became a […]
[…]ining up the machines and there were two 35 mm machine speeds which mostly did commercials and then there were two 16 mm machines and a magnetic film sound transport and there was also a brand new Rank-Cintel Mk III Telecine which we could actually, it was much more like a VTR, we could fast rewind […]
[…] their wisdom didn’t give us a first-class crew. It was an OB crew, you see, who really only shot sports actually. And they couldn’t handle the sound system so in the end we went to the Odeon. I think we did it in the Odeon. That was right wasn’t it I think?DARROL BLAKE: The […]
[…]ely self contained or did you get English crews?LK: No we were entirely self contained, entirely self containedRF: So everyone is doubling up, by the sound of it, on disciplineLK: Yes, everybody did something, I think I wrote, and sometimes produce, Derek was executive producer and Cenkalski produce[…]
