[…] where you will learn and appreciate silent film and early sound film , and sort out our early film collections […]
Maurice Askew ( sound recordist/dubbing mixer) 12/05/1916 - 11/12/1986 by admin — last modified Apr 18, 2008 10:21 AM Born […]
[…]B: The Grip, yes. I knew him as a scene shifter prior to that! PB-C: Really. And we had two electricians. DB: Ah. 25 mins PB-C: A sound recordist, Peter Evans, and an assistant sound recordist. And Peter and myself. Oh, and Dick had his assistant. DB: Barbara Saxon. PB-[…]
[…]t way. Don’t try and sharpen the contrast if it’s not there in the original.10Don’t remove all the grain. Factors like that. Don’t try to perfect the soundtrack, it wasn’t meant to be a perfect soundtrack.” You know all these factors. So I think that the balance is somewhere – use digital tools, not[…]
[…]tuff got amplifiers and mics, that sort of thing. And I set up stereo, I was very interested in stereo microphoning because of the fact that binaural sound allows you to locate the sound source much, much more accurately. And so I got this idea, which was really to use it on on patrol to tell where […]
[…] first credit as it were, or treatment was written for film he did on the Wose collection with Bernard Braden went out on the 28th of August 55. That sounds like bank holiday almost. No, it wouldn't have been in those days. And that was because he was going to America. Because they were co produced […]
[…]rucks and things. It was the beginning of learning to beg borrow and steal which one has had to do ever since really. Norman Swallow: This was a sound film John Schlesinger: No, it was a silent film to which we put music synchronised on 2 tur[…]
[…], if only to play ‘God Save the King’ at the end. But, we soon got the needle over that, you’d sit there for two hours then. In those days they had a sound manager, this poor bloke had to sit at the back of the stalls, if the sound was too loud he would press a button to take it down a bit, if it wa[…]