Pamela Mann-Francis (nee Mann)

[…]he publicity department, over to 146 Piccadilly, and started with Norman Spencer and David Lean. I was secretary to the two of them, and that was pre Sound Barrier. And we worked on the script of The Sound Barrier and the casting of Sound Barrier at 146 Piccadilly.  And then pre-production[…]

Lois Singer

[…]sion, and I must look out for it. And I still got the record. Joyce Robinson  11:36  Did you feel more comfortable acting on sound?  Lois Singer  11:39  Yes, I felt that I had more control than on the stage. Yes. And you could only have to think[…]

David Attenborough

[…]dn't know what did I daresay, but certainly not cutting up dead animals. So I went into publishing and the University of London Press as it was which sounds nice, but it was a kind of X X X Sepulchre, it was simply and educational branch Hodder and Stoughton, the commercial publisher.My job there wa[…]

Edward (Teddy) Carrick (Craig)

[…]suddenly thought, "Poor man" You know you can drop a spoon normally, and nobody can even hear you, but when you have got a bad stomach I mean a spoon sounds like plate glass. Crash. But he was so unnecessarily cantankerous, finding fault, telling you how to do your own job and when he said he wanted[…]

Bill Cotton

[…]t lot. I mean they were tough and they were basic, but they had a decent, and they had that wonderful north east sense of humour.And I did, I know it sounds strange, I missed them to a degree, because when I got out at Shorncliffe it was very much the hubbub of normal kind of boring life of people, […]

Frances Cockburn

[…]from the COI should go and generally control the production and I and I went and a good couple of years move couple of movies on camera, man, and the sound and the sound and yes, what you can what you do in a case like that, I mean, you can hardly a Director of Operations for what you can do is to l[…]
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