Search Results for: Sound Engineer

[…] camcorder) and one on the interviewer (ch 2).  While many sound recordist will use a boom for the interviewee for […]

[…] UK and abroad.    Hazel Ascot In the late 1930s Sound City Studios – the forerunner of Shepperton Studios – […]

[…]lin Miller, who worked in editor know when, when he left, Pearl and Dean, he went on to work in the live action side of the business. And he became a sound engineer. And I've recently caught up with him. And his main thing he ended up doing, he worked on a lot of the Bond films. But he was a sound e[…]

[…]can filmmaker called Alan Forbes. Alan made documentary films. He was in London and he taught me about editing, and about camera operating, and about sound, and basically was a very committed filmmaker. And, God, I was lucky to work with somebody who was so inspirational and cared so much about his […]

[…]he union was that a deal had been done I think in the late Forties around, around crewing really, which was about four, four and four, four people on sound, four on camera, four on production, which a lot of the older negotiators were so desperate to keep that they’d, they were determined to keep th[…]

[…]ck to members, some of whom had been exposed to asbestos in previous careers outside the industry, but others who've been exposed to asbestos through soundproofing and studios, often at a time when everyone thought asbestos was some magic product was everyone the, the asbestos producers didn't think[…]

[…];                        Question: sounds like problems stemmed from scheduling rather than producing the programmes. 1.38.30 -         &nbs[…]