Search Results for: Sound Engineer

[…] courses and she doesn't know the outcome yet. David is sound recordist and he's gone freelance. He worked for ATV, […]

[…] recording. Providing clarity for researchers where recordings – due to sound levels, accents or interference – may render the sound […]

[…] come and work for him, on True Lies. We’ll send you a script. Talk to you on Sunday.” Spoke to the producer, and said “Yeah, I’d love to do it. Sounds…”, “Alright, we’ll, negotiate with your agent.” They came to me on Tuesday and said there’s the deal, I said “I’m not coming in for five days m[…]

[…]e any major considerations during that transition? Did your approach change at all?PS: It necessarily changed, but in that period one would hear what sounds like a ridiculous question today: Is this a colour film, is this film suitable for colour, or is it a black and white film? Really, truthfully […]

[…]ou get the next job, whatever. So that’s what happened at Shepperton, and I went there and |I worked on – I can’t think what the first one was: [The] Sound Barrier or [The]Third Man, again painting scenery. You were allocated-DB: Sewers. Sewers.PM: Sewers. They built the whole show on the silent sta[…]

[…] thespy in the trunk and turned his full blast of his jets onto us and nearly knocked us over I wasknocked against a pillar. And Brad, our very large sound recordist had his Nagra knockedagainst his chest and it wounded him and he fell to the ground. So that was quite a littledrama. Actually, it was[…]

[…]nd visible splash and ripples. But after 1970 you drop the stone, it was as if you drop the stone into a pool of Trico or golden syrup, no splash, no sound and no ripples after a year's work after a year is very hard work. What went wrong? Well, I think in the first place, our weakness was that we h[…]

[…] that the beginning of the battle and the consequences are more important than recreating the battle itself; the decision to shoot Lawrence’s death – sound is vital to a designer’s ability to evoke images in an audience; JB discusses shooting the map room sequence; Lean made JB sit through the editi[…]

[…]ket, they thought they could buy CFS when Bill Ingram was managing director of Technicolor – it didn’t lead to anything; in the 1960s CFS installed a sound recording facility in the basement of a new property adjacent to theirs which proved to be very successful – mainly industrial films with Richar[…]