[…] operators and that was quite a new techn ique. The sound mixer was my friend Peter Handford and I was on […]
[…]ophone. I can remember going to see another documentary about a lion called Zimba. The first half was silent and the second half had Western Electric sound and the projectionist was sitting in the middle of the audience. This was about the time I bought the projector I mentioned. I also started savi[…]
[…]he did two liners, two big liners, she did the nursery, painting nursery rhymes and so on, and she said to my parents one day “They want a boy in the Sound Department”. Sound had just come in and I thought, ‘marvellous’ you know. Films were so important in those days and sound just beginning so I to[…]
BECTU History Project Interview with HARRY MILLER – sound, sound editorInterview Date(s): 23 October 1987, 12 September 1988Interview number: 20Interviewers: ROY FOWLER, ALAN LAWSON Tape 1, Side 1 ALAN LAWSON: This recording is copyright by the ACTT History Project. Harry Miller dub[…]
[…] most celebrated films. Between 1945 and 1984 as a resident sound mixer at Pinewood Studios, he made a contribution to over […]
This copyright of this interview is vested in the BECTU History Project.Interviewer Bob AllenThis is an interview with Peter Handford, sound recordist, and it is taking place in his studio where most of the train records for which he is quite famous have been put together at his home. The date is th[…]
[…]gestion, when I was just sixteen that he wanted to go into the film industry, and did, and I thought, "What a damn good idea!" Because if I went into sound, I would be following my inclinations and, of course, I had been quite an enthusiastic schoolboy actor and things like that. I was interested in[…]
Side 1Alan Lawson.The copyright of this recording is vested in the BECTU history project. Gerry Humphries, sound recordist, dubbing mixer, managing director of Twickenham Film Studios. Interviewer Alan Lawson. Recorded on the 21st August 1995. Side one.Now, first Gerry when a[…]