Search Results for: Sound Recordist

[…] I have no regrets. The only regret I have... [to sound recordist] off for a moment? [break in recording]...knew how certain […]

[…] at Ealing and I hadn’t seen it before I would take it along to stage 1 where the white piano was,  hastily pick out the main points and make it sound reasonably like it should, and then when I came along to play it to you, you would be able to say whether you liked the tune or not. I developed[…]

[…] that, to go to the revitalised British Film Institute which Denis Forman had been appointed to and had taken over, and edit their magazine Sight And Sound, which he pretty well created. And of course it was those days which were very active and Denis Forman was a very important chap because it was […]

[…]three, which went on I think for about, I can’t remember, was it six weeks, or two months, or something, but it was basic studio managing techniques, sound effects up through microphone balancing and basic recording and things like that and then we were attached to various parts of radio. I was in s[…]

[…] went and worked with them, I think as cameraman and sound recordist, something like that, and the BFI, that film-making activities […]

[…] following way: They hired freelance cameraman Erik Durschmied and his sound recordist to capture the mood of the French people. A […]

[…]ining up the machines and there were two 35 mm machine speeds which mostly did commercials and then there were two 16 mm machines and a magnetic film sound transport and there was also a brand new Rank-Cintel Mk III Telecine which we could actually, it was much more like a VTR, we could fast rewind […]

[…] to make talkies. He applied for a job as a Sound Recordist, got it, and arrived just in time to work […]