[…]d so the first interview I went to was at a shipping firm and I was told that I’d be typing invoices, three pounds fifteen a week, and I thought that sounded fairly dreary, so the next one was on a Thursday at the National Gallery. I was living in Tonbridge, my mother had settled in Tonbridge and I […]
[…] got him in touch with - there's an Association of Sound Recordists, to do with pop music. And I hope he's […]
[…] mixers on the desk... Peter Stroud: Hmm... Jim Shields: ...the sound recordist might pop in now and again but they never […]
[…] who used to be at the BBC, started as a sound recordist and sound editor and then went on and became […]
[…] it changed?Michael Aldridge 6:08 Heavy. [Laughter] I mean, our basic tools. When I started the basic camera was, if you were doing sound it was the Cameflex in a double camera, or it was the ST with either a stripe box on the bottom or in a fibreglass blimp. And only in the mid 60[…]
[…]s may not be allowed.Mary Harvey Tape 1 Side A1Mary Harvey Tape 1 Side ANote from transcriber: There were a couple of slight issues, the unidentified sound recordist and the not great quality sound from either of the interviewees. You will notice that almost all the transcription queries are on that[…]
[…]tuff got amplifiers and mics, that sort of thing. And I set up stereo, I was very interested in stereo microphoning because of the fact that binaural sound allows you to locate the sound source much, much more accurately. And so I got this idea, which was really to use it on on patrol to tell where […]
[…] called Marie Burke. I don't remember a lot about it, except I was in the crowd as one of the sort of peasants in it.Rodney Giesler: One of the first sound films was it?Dicky Leeman: No, there'd been sound for some time on that.Rodney Giesler: And this was at BIP was it?Dicky Leeman: Yes. And then I[…]
