[…]he union was that a deal had been done I think in the late Forties around, around crewing really, which was about four, four and four, four people on sound, four on camera, four on production, which a lot of the older negotiators were so desperate to keep that they’d, they were determined to keep th[…]
[…] think, but this was the first what came to be called, horribly I thought, the Classic Serial. Very daunting type of title isn’t it - Classic Serial? Sounds as if you’re going back to school.[A 10:06]And who, whose idea would that have been, have you any idea?Donald Wilson.Donald, it was Donald Wils[…]
[…]ance now.GS: She was with the National Film Board here.DA: But she was also with the National Film Board in Canada. And her husband was a very famous sound man, Walter Lee, and he went into the war and was killed. And years later she did marry somebody else who’s also died. Her son Andrew Lee is als[…]
[…]ember him from when he was starting to direct, you know.I’ve told you about a good many of the editors I think.Did Bob Allen work for you? Bob Allen, sound recordist?I don’t remember, no. No, we never had sound. Oh, we might have on a picture. We had electricians of course always because t[…]
[…] was knocked against a pillar. And Brad, our very large sound recordist had his Nagra knocked against his chest and it […]
[…] Board in Canada. And her husband was a very famous sound man, Walter Lee, and he went into the war […]
[…] (http://historyproject.org.uk/content/lindsay-anderson) and Oswald ‘Ossie’ Morris (http://historyproject.org.uk/content/oswald-ossie-morris). Secondly there was the sound recordist Maurice Askew (http://historyproject.org.uk/content/0294) who before doing The Boy Friend […]
[…] thespy in the trunk and turned his full blast of his jets onto us and nearly knocked us over I wasknocked against a pillar. And Brad, our very large sound recordist had his Nagra knockedagainst his chest and it wounded him and he fell to the ground. So that was quite a littledrama. Actually, it was[…]
