Search Results for: Sound Recordist

Mickey Hickey (projectionist and sound recordist) 29/6/1914 - ? by admin — last modified Jul 27, 2008 02:17 PM 1920 -30s […]

Mickey Hickey (projectionist and sound recordist) 29/6/1914 - ? by admin — last modified Jul 27, 2008 02:17 PM 1920-30s - […]

[…]went out there to see him.  Now, most interesting, because D P Field was the Chief Maintenance Engineer and a Mr Arry Overtown who was the Chief Sound and D P Field had a fair number of staff which were all ETU, all except the man who was looking after what is called - which I will describe in […]

[…] changing from one projector to the other, the film, on average, would have five or six reels, and you had to synchronize the movement between of the sound and the picture, between one projector and the other. And that was no. Certified at the end of the film, about 12 feet from the end of the film,[…]

[…]ng the Vitaphone system, you know, with Warner Brothers. And we also had this double header stuff which was - at the side of the projector we had the sound unit. But whether it was us and not knowing what we were doing and not having proper tuition, [chuckles] to this day I don't know, but it never […]

[…]dear old Joe Rosenthal, he came down. Billy Shenton also came down and did some extra scenes, or some extra camerawork. We also did some experimental sound recording with British Acoustics but it was a full width track and the picture camera had it's two back legs in a special kind of booth in the s[…]

[…] experimental scenes of charges and things like that and the sound recordist was A. W. Watkins, and his assistant was Stan […]

Alan Lawson  0:05  The copyright of this recording is vested in the BECTU history project. Michael Colomb, BBC TV sound engineer, dubbing mixer and director of better sound of Endell Street interview. Alan Lawson, recorded on the 12th of June 1995. side one you know, first and foremost, wh[…]

[…] the set most of the time, or sit with the sound recordist, you know. There were other films being made there […]

[…]ecture, this man [laughs]. And he built some very good theatres which were very good acoustically, because we were just about on the breakthrough for sound, and this would be about 1927-ish. And he built the Rialto up in Norwood, the Albany which was virtually next door, the State Sydenham and State[…]