[…]ead of its time indeed), but I always remember sitting in the audience at being absolutely amazed at what went on behind the scenes! The cameras, the sound, everything indeed was incredible! From that moment on I used to get tickets for all the STV shows sent. I used to write in. We got them for not[…]
[…]ou get the next job, whatever. So that’s what happened at Shepperton, and I went there and |I worked on – I can’t think what the first one was: [The] Sound Barrier or [The]Third Man, again painting scenery. You were allocated-DB: Sewers. Sewers.PM: Sewers. They built the whole show on the silent sta[…]
[…]th the whole technique of making films now? I mean the special effects are so much more impressive.Phyllis Dalton Page 52Oh, incredible.The sound. With beautiful emulsions, the film emulsions that can produce the colours now. I mean I remember shooting Eastman Color, say twenty years ago, […]
[…]angley; this is when he first saw the Technicolor site and went in for a job; a man named Mitchell offered him a job; started at the light end of the sound wave – track developing and matte loops; a lot of women working there then; then moved to positive control; then first operator; finally in regi[…]
[…]rs.Mm.Mm, it was there that I was introduced to trade unionism.Yes.By sheer chance meeting a fellow that was canvassing round the gate and, mm, it allsounded interesting and worthy to me. I’d had some aspects of struggle.Yes.Which I, which I won’t get into now while I was in the Army.Yes.Developed c[…]