Search Results for: Sound Supervisor

Reg Sutton (newsreel sound recordist, sound supervisor) 24/9/16 - ? by admin — last modified Aug 27, 2008 03:39 PM Biographical […]

[…] changing from one projector to the other, the film, on average, would have five or six reels, and you had to synchronize the movement between of the sound and the picture, between one projector and the other. And that was no. Certified at the end of the film, about 12 feet from the end of the film,[…]

[…]ker  0:04  the copyright of this recording is vested in the back to history project. The name of the interviewee is Louise Wilcox, who is a sound supervisor. The name of the interviewer is Vanessa Jackson and the date is 29th of March 2019.Unknown Speaker  0:22  So, Louise, can w[…]

[…] acoustically, because we were just about on the breakthrough for sound, and this would be about 1927-ish. And he built […]

[…]ecture, this man [laughs]. And he built some very good theatres which were very good acoustically, because we were just about on the breakthrough for sound, and this would be about 1927-ish. And he built the Rialto up in Norwood, the Albany which was virtually next door, the State Sydenham and State[…]

[…]s fussing in the studio; she was agitated, in a state, and somebody came up and said, you’ll be alright if you do so-and-so, so-and-so. It was a sound problem or something. And I think I really meant to be kindly to her, to stop her agitating, and I went, ‘Oh, it’ll be alright’. And I look[…]

[…]arch 1925 so I’ve worked out that I was there as well as I was born in December 1925, only not terribly visible.Q: (Laughs) Um, then what, um did the sound films presumably rather kill Worton Hall didn’t they?SAMUELSON: Yes. I’ve always understood that what money my father had he’d got invested in s[…]

[…]d not be insulted with cheap programming. The cinema was Rank’s Roadshow Theatre in the Capital and had recently enjoyed a near two-year run with THE SOUND OF MUSIC. When not playing the separate performance high ticket advance booked shows it would revert to normal release product on continuous per[…]

Alan Lawson  0:05  The copyright of this recording is vested in the BECTU history project. Michael Colomb, BBC TV sound engineer, dubbing mixer and director of better sound of Endell Street interview. Alan Lawson, recorded on the 12th of June 1995. side one you know, first and foremost, wh[…]

[…];sorry. You said you have your apprentice papers there. Describe them to us. My first reference. Can you describe them to us, since we're it's only a sound, you know, people can't see them, so if you can explain what they are, well,Speaker 1  8:14  well it, it sets out the the number of ho[…]