[…] You know, transferring laboratory, 10 invoices fo r laboratory work, sound work, erm, there was overtime to pay, I mean […]
[…] We alter nated between being a cameraman , being a sound boom operator , and being a director. And then […]
[…] many feet did the frame take? Bill Girdlestone: Well, before sound 180 feet, after sound about 280 feet. Fowler/Lawson: That […]
[…]le wouldn’t be able to do that. So it was a great business for that really. You had the ability to move on, and the opportunity was there, so …CR: It sounds like there were a lot of opportunities that were offered to employees working for them at the time.CF: I believe so, a lot of the systems… prom[…]
[…] and just some boxes there. There's was this little balcony but it must have had about five seats in it. And so that's where the console was. And the sound control was put over the other side. Similar position. And Nesbitt performed his usual manner. We didn't need a mic for because he could just ta[…]
[…]ed me until the day he was there as his secretary. And he said, I didn't know I think could be good material in the cutting rooms. And I thought that sounds like a factory job, but I don't care. I hadn't a clue. And I hadn't seen many films. Because we did. We had just started to go to film, my frie[…]
[…] you come by to the production to film the script and the words put together in the sense of Bill. When the actors and the health is then edited. The sound is added which gives you the magic and the whole thing is his magic gem and you to learn every phase of production we were given a list how to m[…]