[…]and then setting it up in print, it went on forever. And of course again when you're 21, 3 years sound like an infinity. Norman Swallow: Did you specialise or were you concerned with books about geology?David Attenborough: No, this was whatever came along, it was just educational publishing. An[…]
[…] just coming in and out all the time in the end. So the answer is no. They take an age to try and remember a lot of different productions is natural especially now as a clapper loading disparate personalities. Well yes or no James Colson again during and just after the war and whether. He has made i[…]
[…]rity, dishonesty, etcetera. They felt this was a national humiliation. Now they got this from many, many sources other than films. I would assess the special contribution of the progressive film as being that it enabled people to visualise what was going on in a way that was not usually presented to[…]
[…]aken the studio equipment out to wherever it was, was it Wembley?JH: No, White City.BH: Yes.RF: So they weren't using the OB units.BH: No, they built special shacks, I expect they wanted more than the original OB units.JH: We were all roped in, I was at Aldenant [?] but I did some radio on a OB A8, […]
[…] a house here for quite a long time.Stephen Peet: So which school was that?Philip Leacock: Bedales.Stephen Peet: So, did you do, then, at school, any specialised training, or - put it this way, why did you decide to go into films? Was it at somebody's suggestion, or somebody you met?Philip Leacock: […]
[…] where to start. But I think it's mostly done by special effects now anyway so [??? Interviewer speaks over]. John Legard: […]
[…] out later. One thing, in those days, any of these special effects we had to do ourselves in the camera in […]
[…] new zoon lenses have made any difference. And also the special effects. Were you occupied with special effects at all? Carmen […]
[…] what was the name of your current affairs? Norman Swallow: Special Enquiry with Robert Reid from Yorkshire. David Attenborough: You […]
[…] many, many sources other than films. I would assess the special contribution of the progressive film as being that it […]
