[…]thur Graham: So that's when you actually finished schooling.Tubby Englander: That's when I finished schooling, yes.Arthur Graham: Did you receive any specialised training - technical college, poly?Tubby Englander: No, no way, no.Arthur Graham: What made you decide to go into the film industry?Tubby […]
[…] [laughter] And getting on best of all with the lovely special effects chaps. Anything I wanted, I used to go down […]
[…] tracks 04:00 they have, to fit this… they have a special ‘steady-cam’ attachment which enables you to walk around with […]
[…] to another company. We supplied the personnel. It was a special film for Princess Ashraf, who was the sister of […]
[…] Fowler: Was it? Andy Worker: Hmm. Roy Fowler: What, a special effects stage? Andy Worker: Yeah. Roy Fowler: Ah ha, really? […]
[…]a solid base, right, with two legs and a head, the camera head mounting and and then the camera Nick Gilbey 1:10:50 was it specially built for that, or it's just it was a standard thing that they did that Harry Coventry 1:10:54 was a standard mor[…]
[…];R: The change? I didn't like it actually. I didn't like much being in front of camera. I didn't like the intrusion. I mean, it's quite astonishing, especially then, if you were on television for any length of time, you became known but nobody else was there so that, and people really did seem to th[…]
[…]available until after five, that's overtime. If there's a story that happened after five which ITN wanted to cover - that's overtime. And there was a special arrangement with ITN where ITN paid a minimum guaranteed amount of money for any given job so if a job was an ITN, we used to fight to do it! […]
[…]er production rushes. On a whole variety of different commercials. [TIME 00.39.34]MARTIN SHEFFIELD: I did some work for him. He used to be wonderful. SpecialEffects wasn’t he. He was well known for that. All that sort of stuff.NORMAN J. WARREN: I can’t remember exactly which ones they were. So,[…]
[…]wn little form. I just break down each scene into its component parts. Who's in it? Where is it? What's the scene number? How many extras are the any special props, required music, so I have this sheet that I fill in, and it really gets you to know the script. So that is the thing that's fundamental[…]
