Search Results for: Special Effects

  INTERVIEW OUTLINE   KEN HOLT – laboratory worker; special effects; studio manager, head of film unit at ATV. Interviewed 13 June 2013   Interviewer: Sean Holmes Camera: Andrew Dawson   DoB: 14 February 1930   Family background: Youngest of[…]

[…]She’s now a wonderful wildlife artist and we sell her cards, so you know—JR: All these connections.VM: All these lovely connections. So that was very special. It was done up in the Lake District. I did a few radio plays and stuff like that. I can’t remember what the dates of them were, although I kn[…]

[…]tting on with people. I've never been very good debt. And it was very useful to have Stanley in touch with all these theatre people. And he go to the special shows and first night and, and yet he wasn't keen on designing is couldn't do so if we were had been. later on. Somebody else joined us, my fi[…]

[…]Charlie Chaplin indeed. I have some wonderful Chaplin stories. But he was a very funny and amusing person. But I used to, Brody [ph 07:06] was, was a specialfriend of mine because he was a, he liked music very much, and he wasn’t just a kindof a sort of dago or anything he, was very aristocratic Ita[…]

[…]oom?Noreen Ackland  26:10  No, I can't. I would say nine months. Really? I know. It was a long time. Well, it's a long time waiting for the special effects shots. And the paintings.Alan Lawson  26:23  Yes. Yes. It was a lovely film actually.Noreen Ackland  26:27  Is it […]

[…]e the difference of that one for three line by the process and the labs. There wasn't one lab that had a standard process in bars. They all had their specialists, they all made their own bars. Yes, some will coast somewhere very different indeed. Therefore, they each produced a differentRoy Fowler &[…]