John Frame

[…]he early news, you know, Scotland Early, Scotland Now, Scotland Late were all the news programmes that we did. And you took your turn. I: No one special? R: No. I don't think, no, none of us actually concentrated on one particular strand of television. We all did everything that was coming[…]

Renee Glynne

[…]es. I mean Denham and Pinewood were really my studios. I did a lot at Pinewood and at MGM I did a few things. I loved being at MGM and I knew all the special effects team and the casting queen. I knew all those people from years back, but I didn’t belong to MGM. I wasn’t an MGM person.(TIME 49.[…]

Carol Owens

[…]se at the time that was offering anything to do with film was Leeds.So it was part of a fine art degree, four-year fine art degree on which you could specialize in film. So that's what I did.SPEAKER: M2 [Paul Collard]So moving on to you know your further education. Can you tell us about your journey[…]

Neville Wortman

[…]MAN:  Pretty well, yes. [Laughter]  Pretty well, in spite of my parents’ fears.  Yes.  They wanted me to do all kinds of things, especially for Christmas shows, so I just joined in with the cast.  A lot of fun.DARROL BLAKE: (TIME 14:27)   All live, of course.NEVILLE WOR[…]

Clyde Jeavons

[…]t as a thought.28MW: Meanwhile the industry has continued to be somewhat cavalier with its own content and so on.CJ: Well-MW: [interrupts] especially with regional television and so on.CJ: Well industry equals greed – it’s as simple as that. And penny pinching for all the wrong reason[…]

Bernie Andrews

[…]from working in control room and continuity to tape editing which I was very keen on…  you know, cutting up tape with a razor blade.  And I specialised after a while in music editing, particularly pop music editing, and I used to edit the pre-recorded tapes. MDTell us how you did that[…]
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