[…]ng RCA by that time you went over to RCA, and we lost them. But when "Jazz Singer" was being rehearsed in the theatre. We were at odds, and they gave special orders to the New York office because some of the brothers were there, usually running the rehearsals, not to let that fellow Watkins get in t[…]
[…]up one day you know like you I don't know.BG Can you talk about comedy?CY Oh yes you can. And actually. There was a one off which is about 90 minutes special which I wasn't involved with which you wish. Oh great. Craig is all great gets all the right here is the best. And I wrote to John Fisher the […]
[…] go to art school!” - and I got paid a grant to go to the Glasgow School or Art - so that - that then did four years Glasgow School of Art.Q: Did you specialise or did you?00:04:28JOE: Er - yeah graphic - in those days as you know - in those days it wasn’t called graphic design - what you did was yo[…]
[…]y McGahan 29:15 People like, actual people like the cameramen I worked with were all absolutely lovely. Very, very supportive. Especially somebody like Wolf Suschitzky, who was a really lovely person to work with. I suppose then... I'm just trying to think what was the last thi[…]
[…]when he was called up; left the army in 1943; wanted to work in the studios rather than going back to the laboratory; worked with Tommy Howard in the special effects department at Denham; Tommy Howard left when Korda returned from America; PB invited to return to the labs by Bill Harcort (MD at Denh[…]
Interview with Esther Rantzen: Transcript of Sample ClipEsther Rantzen: When I joined Radio as a studio manager making sound effects, playing gramophone records, both for music and effects,. It was just after the great days of B.B.C. Radio, which I imagine would have been in the Fifti[…]
