[…]echnician because although I was fascinated by all of it in the sense of hearing it. For the good founders, I didn't in those days, it was valves and specialists. And I didn't understand what wentAlan Legard 33:23 on in besides the radio world likely toRichard Marden 33:25 an[…]
[…]ht for the film. It wasn't right for them to they get the stuff with putting it in, in a Tim called chicks people to see. And then I then I then word special was made when I was working on personal commands. So I never saw word special till it was finished. And blow me the words especially as chicks[…]
[…]b there.Paddy Carey 28:57 My daughter took my photographs along some of them some of the stuff that I'd taken in Ireland and some of the especially the sort of glamour photographs and so on and other bits and pieces that I'd done for Carlton, but the karafun stuff was really boring. I me[…]
[…]y big company, they usually have a house engineer. So as I say that I worked the Star Kinema in Fulham and then been a wartime projectionist. I had a special deferment from labour exchange, not to go into any other work, and had a deferrment from labour exchange for three months, because when […]
[…], and that's what the producer saw together with his black and white rush prints for checking action.KGY: Where you ever aware of all the criticism, especially coming from the ACT of the number of foreigners employed.CC: Not really. I joined the ACT, I don't know when, but when I was on the newsreel[…]
[…] sources, most notably Harris’s annotated costume sketches (held in the Special Collections of the BFI National Archive) and the films […]
[…]et to know of these things. Obviously Technicolor was really the first system that was useful for producing colour feature films without all the hard[special] apparatus that you needed for the other early types. And therefore it was at the leading edge of making colour films. However, the big proble[…]
[…]ts killed in the Tiger Moth was the one model shot we had in the in the film was the actual crash of the Tiger monster, which was done by by a model especially faked the actual crash itself, the Tiger Moth sequence David even had a camera up in the plane set in the wings so that so that he could he […]
[…]I don't think it's a very good term low budget films. I've seen people working or pictures working at Shepperton when I was there. And the problems, especially if they're not necessarily non budget bullets, but low budget films they faced was quite unbelievable. I mean, there was lots of problems th[…]
