[…] terribly important that it shouldn't appear that it was a special relationship so she used to go out with Philip […]
[…];R: The change? I didn't like it actually. I didn't like much being in front of camera. I didn't like the intrusion. I mean, it's quite astonishing, especially then, if you were on television for any length of time, you became known but nobody else was there so that, and people really did seem to th[…]
[…] in the Prop Department, making props with Hugh Skillen in the early days for theatre, if there was something to be done – a little book or something special he’d say “Well why don’t you make that?” And I got into art directing that way.DB: Right. Okay. Fred Pusey, his very last job, at Thames Telev[…]
[…]. Williams : No!Rodney Giesler : Why not?L.P. Williams : Well I found out when I got back when I was posted to Duxford, what they wanted me to do, my special qualifications were that they were running out of pilots who'd had been grounded for medical or other reasons to make into Controllers. And so[…]
[…]y in the in the early very early 60s they they opened up from being a special effects that with Tommy Howard they opened up into into commercial to a […]
[…]hrown in on the ground you know I had hopefully learnt something and I had been trained but today there really is no training and I think in England especially the sort of production people we had, we’re looked on, Elaine and I often say they, we’re glorified typists because in the States they often[…]
[…] an unfortunate woman who said she would do as her special subject, diet, and was given a whole series of […]
[…] bizarre night. And at the end of the night the special effects who had also been preparing all day for […]
[…] thought they'd picked up again out there with all these special TV films, you know all the multi-media type films, […]