Search Results for: Special Effects Camera

[…]particular production? Andy Worker: Yes, 'The Shape of Things to Come'. Roy Fowler: Was it? Andy Worker: Hmm. Roy Fowler: What, a special effects stage? Andy Worker: Yeah. Roy Fowler: Ah ha, really? Andy Worker: Back in, what, '36 that was built. Roy Fowler: S[…]

[…] we shot in a week, 140 set ups including stunts, special effects, blue backing. That film is now part of […]

[…]everything worked, although transistors were coming in, but it was a superb basic grounding in engineering, because the BBC had to do that because it specialised. There was nothing else. No college could teach you what you needed to know to be a BBC engineer, because it was such specialised equipmen[…]

[…]ng RCA by that time you went over to RCA, and we lost them. But when "Jazz Singer" was being rehearsed in the theatre. We were at odds, and they gave special orders to the New York office because some of the brothers were there, usually running the rehearsals, not to let that fellow Watkins get in t[…]

[…]d we were going on tour. I used to drive Lord Longford’s whacking great station cart, a huge Armstrong Siddeley, a sort-of six seater. He had a car, especially built, sort-of built round him, another Armstrong he used to drive like this and he was the brother of the present Lord Longford incidentall[…]

[…]38 and in 3839Speaker 3  30:36  but near enough Powell was that it was the introduction the two cinema coaches, additional cinema coaches, especially unlike mine, in which instructional films were shown in the coach to the staffUnknown Speaker  30:53  who ran those, anybody we kn[…]