Search Results for: Special Effects Camera
HP0009 Oswald (Ossie) Morris – Transcript – Side 5
[…] an American production manager called Harry Templeton. There was American special effects whom we had on Moby Dick called. Audie […]
Leslie J Wheeler and MGM at Borehamwood
[…] the Camera Department was none other than Freddie Young. In Special Effects he had Tommy Howard and as Director of […]
Anne Fleming
[…]ing that down was actually quite difficult and I think that stopped the re-release of the series. MW: And The World at War seemed to have a very special sort of contract as well because it seems to be almost perpetual, that it operates in a similar fashion from the very from the get go until no[…]
Jill Craigie
[…]to every man. Men have a different attitude to a girl without a background, without mothers. I couldn't go anywhere without being followed, accosted, specially by married men, old men, fat men, men that one wouldn't dream of looking at. I was very often hungry and would accept meals, and then they t[…]
John Halas
[…]I ask John, what kind of equipment were using then ? John Halas: it varied. You remember 8mm, 9.5, that was one of them. And as soon as the 16mm camera came in, 16mm. 35mm came later. But when I established our own studio with my young colleagues, we already had a German bi- pack camera, and th[…]
