Wolfgang Suschitzky

[…] go back to my father, he and his brother started a book shop in Myanmar, with some difficulties, one had To get a concession to start any shop, and especially a book shop, and they declared that, as it was to be in a working class district of about 100,000 inhabitants, a book shop wasn't necessary.[…]

Christopher Challis

[…], and that's what the producer saw together with his black and white rush prints for checking action.KGY: Where you ever aware of all the criticism, especially coming from the ACT of the number of foreigners employed.CC: Not really. I joined the ACT, I don't know when, but when I was on the newsreel[…]

Jimmy Wright

[…]sp;identification you know trying to read the photographs although that was a highly specialized job well that's kind of navigation. Well I went really from the point&nbs[…]

Cyril Pennington-Richards

[…] long waiting list and the nearest other place was St Joseph's College at Upper Norwood and that's where I went.Alan Lawson: And did you get any special training at all towards the end of your school life?Cyril Pennington-Richards: No, no I was plucked away quite early actually, I was pluc[…]

Cyril Pennington

[…] where I went. Alan Lawson: And did you get any special training at all towards the end of your school […]

Patrick (Paddy) Carey

[…]b there.Paddy Carey  28:57  My daughter took my photographs along some of them some of the stuff that I'd taken in Ireland and some of the especially the sort of glamour photographs and so on and other bits and pieces that I'd done for Carlton, but the karafun stuff was really boring. I me[…]

John Aldred

[…] you working for?John Aldred: Baxter. I was working for Shepperton Studios and hired out to Baxter and it was 7 Baxter who made Talking Feet. He specialised in children's films in the 40s. There were a lot of children in Talking Feet, Hazel Court was one. It was like a filmed variety show.Peter[…]

Peter Suschitzky

[…] it was a very muted film, there are a lot of browns and it’s not as expressionistic as the previous film. Can you talk to us a little bit about…were special techniques employed for that film?PS: I don’t think any special techniques were employed for the film at all. The look of it would have come f[…]

John Aldred

[…] was a silent stage mainly used for shooting picture effects, special effects, three shooting stages and one enormous barn called […]

Michael Colomb

[…]hnician, Chris Cineservices?, and we supplied him with an assistant for training, who was schooled in Arriflex and everything and he made all his own specialist tools with a firm, and he went on a holiday to New Zealand and in the end, he came back and he said, oh, I've got a job. And we lost him . […]
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