VOICE FILE NAME: Paul Fox Side 1I = Interviewer - Norman SwallowR = Paul FoxM = Alan Lawsons.l. = sounds like I:&nb[…]
[…]tion manager how the surety should take place today, and not to lose time, because we know time is valuable costly. So I worked all that out and took stills the same time as well, which I would show to a director. And this is the way professional you work it all out. So everything was thought out in[…]
[…]hat the period I spent with Malcolm brand notably extended the sort of skills that I had, I'd never done the sort of work, for example, that included stills in the compilation of programmes. And I found that Malcolm was very good indeed at this, at handling stills. And I learned a great deal from hi[…]
This transcript has been produced automatically using Otter, https://get.otter.ai/interview-transcription/.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of […]
[…] certainly doing second assistant and occasionally first, assistant production manager, stills man, locat ion manager, which is one of the […]
[…]insCJ: I’ve written not very important film books in my time. Picture histories of film. In each case heavily illustrated with three- or four-hundred stills, and never had to pay a penny for those, or even clear them with the film companies, because traditionally you could use any film still, for an[…]
[…]use as far as I know, we never previewed that picture, I’m sure we didn’t. And it was very carefully kept under wraps, his make-up was. There were no stills of it. We kept the cutting copy locked up.
Y es.
And when videos were made, they were made with an assistant, well there always are, stan[…]
COPYRIGHT: No use may be made of any interview material without the permission of the British Enterrtainment History Project (http://www.historyproject.org.uk/). Copyright of interview material is vested in the British Entertainment History Project (formerly the ACTT History Project) and the ri[…]
[…] each case heavily illustrated with three - or four -hundred stills, and never had to pay a penny for those, […]
Yvonne Littlewood DRAFT. Tape 1 Side AThis recording was transcribed by funds from the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, University of Leeds) and Dr Vicky Ball (Co-Investigator, De Montfort University). ([…]