[…]ed way back in 19, I suppose 1908. And my father was at a very, very young age at the age of about 23. He was already a very known, well known London photographer. Ronald Neame 1:02 He had studios in Bonn Street. And in South Kensington, he had quite a good commercial busi[…]
[…]tion manager how the surety should take place today, and not to lose time, because we know time is valuable costly. So I worked all that out and took stills the same time as well, which I would show to a director. And this is the way professional you work it all out. So everything was thought out in[…]
[…]p a papers and I was told to report a border at Ealing somewhere and I went to this board which consisted of an RAAF a naval army armed with a lot of stills. I couldn't obviously take film because I have shown it to them so I took a lot of stills and they said to me that the interview over what did […]
[…]. They cut holes into the fences for us to stick our lens through. And whenever the animals were tame enough we could go into cages, and I carried my stills camera, and in between shots, I could take photographs, and I soon found that I could sell Those pictures. So my unpaid job really provided me […]
[…] heavily under the influence of her husband who was a stills photographer and it was during that wave that every girl […]
[…]hat the period I spent with Malcolm brand notably extended the sort of skills that I had, I'd never done the sort of work, for example, that included stills in the compilation of programmes. And I found that Malcolm was very good indeed at this, at handling stills. And I learned a great deal from hi[…]
[…]rview. Maybe I should introduce myself my name is Nigel ArthurCL: My name is Cornel Arthur (laughs)NA: We’ve met before. I’m the curator of the stills library at the British Film Institute. Cornel you’re a world renowned stills photographer, so obviously there’s an affinity between us. I wonde[…]
[…]f, like development issues, printing out frames, and cameras. And cars are great. And he just passed them on to me as also I had a lot of old amateur photographers, which he passed on to me. And that was really the start of your interesting that was yes, I really got interested. I mean, to the degre[…]
[…]use as far as I know, we never previewed that picture, I’m sure we didn’t. And it was very carefully kept under wraps, his make-up was. There were no stills of it. We kept the cutting copy locked up.
Y es.
And when videos were made, they were made with an assistant, well there always are, stan[…]
[…], true. Maybe it is today. I don't know. I've not been in there for 30 years, and every 20 years, I didn't work for younger and Rubicon. When I was a stills photographer, Crawfords, I did a lot for at the time, but I very rarely went in the building. So I just don't know. I mean, my contact with the[…]
