[…]ll study for many years, I decided to turn on something so friend of mine, who was connected with Roger scissors, one of the top designers at the Ufa studios, and by being a great friend of Fritz Lang, he showed my paintings, and he was very impressed with that. So he said to me, now I understand. I[…]
[…]ry young age at the age of about 23. He was already a very known, well known London photographer. Ronald Neame 1:02 He had studios in Bonn Street. And in South Kensington, he had quite a good commercial business in the sense that he did a lot of photographic work for catal[…]
[…] of 15 I decided to fire off some letters to studio managers and I got an interview at BIP with […]
[…]er, the architect, was working with Alfred Junge at Shepherd's Bush andthe connection between that and Islington was that they were both Gainsborough Studiosat that time, with the Ostrers, Isidore running Shepherd's Bush and Maurice Ostrerrunning Lime Grove. And Vetchinsky, the art director, at Lime[…]
[…]ust listen to the radio’, because I believe my father used to say, ‘You will listen, I want to know your reaction’.Was there a broadcasting studio in Coventry or would they all have been out...JPH: No, they were OBs.OBs.Daphne Shadwell Page 10JPH: No, they were OBs, from the Hippodrom[…]
[…] the projection box before him, and as I said, my friend was called up, and I was working there. And also I had another friend who worked in the film studios. I suddenly been in a studio before this was Merton Park Studios. And now again, I used to go down on my day off and I look around. I didn't k[…]
[…] there were little shorts. There were made at a little studio in Clapham I: Oh yes… CB: Clapham Junction I: […]
[…] centenary here of cinema, you have been interviewed a great deal as an actress, so maybe rather than repeating your view of how things worked in the studios and some of the camera people and the technicians directors you worked with. CB: YesI: your memories of that timeCB: RightI: I don’t know if y[…]
[…] can’t remember the chap who used to be the assistant director but he used to travel with the prop van when we were doing locations and things in the studio and I used to do his job and my own really at the same time and that was the silent pictures, right? I mean I got on well with old Harry […]
[…] great deal of detail about the working culture at the studio and about its owner, Archibald Nettlefold, who Sewell claims […]
