[…] stories delineated by John Caldwell as typical of craftspeople and technicians: ‘war stories’ and ‘against all odds’ narratives that emphasise […]
[…] eye teeth to have access to the budgets and creative technicians available to BBC directors. The corporation was structured like […]
[…] of British Film and TV. www.tech-ops.co.uk Camera, sound and lighting technicians share their memories of the ‘golden age’ of television […]
[…] craft of the Script/Continuity Supervisor. Tech-Ops Camera, sound and lighting technicians share their memories of the ‘golden age’ of television […]
[…]ossmith, the, the diary of a nobody. And he needed to find an editor that he felt was compatible. The front office didn't like these little groups of technicians who got together, they felt they hadn't got any control over them. But they there. Ken was already making a good name for himself with thi[…]
[…]e made, he went and he rented a ghost town in Arizona, and the movie was called gun slinger. And being Lindsay, he he couldn't, couldn't take English technicians with him, so he had to pick up what was local in Arizona. And he must have chosen the worst sound recordist of all time. I mean, I mean, a[…]
[…]om 1933 I mean the influence lead how he had on on the family, if you like was the sort of introduction of all these wonderful artists and actors and technicians and many of whom I had met over the years as a youngster Ando still in touch with funnily enough is a couple couple but he was he was bein[…]
[…]ivision. So in that way, it's quite good because Jack was the artist. Bernard was the the engine as Bernard Wilkie the he was the engineer, technical technician. So you're combining the arts and the sciences. We were the Leonardo da Vinci as it were that the arts and science and Jack and Bernard pro[…]
[…] something like the bill, for instance. That was great. That was fantastic. Because you had a, an ensemble cast that were all brilliant. He had great technicians. You had a fantastic executive producer, Peter crow gene. And they gave you an Jeff McQueen, who wrote them, if you could get one of his s[…]
[…]h Paramount. The big problem was cameras weren’t ready at that time, I don’t know if you’ve ever seen one, but before they arrived there was a camera technician who worked for Technicolor, and he converted some of the old Technicolor cameras into VistaVision cameras because you now had the space of […]