[…]hink kind of the co-operation between sound departments and camera department really came about? Was it the better equipment? Was it the new breed of technician coming in that made this possible?Dallas Bower 26:43Yes I think it was a combination of both, I think so. And, I mean, fortunate[…]
[…] quite a lot because Ken Cameron was a very good technician and I learnt a lot from him. His speciality […]
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The people who were working... Going back to your entry into Pinewood and what was going on then, is it fair to say that there were two kinds of, of technicians, the old-timers who had come up during the Thirties and [inaudible-6:18] primarily, and the young Turks who were suddenly carving a career[…]
[…] now but there were so many of them, with Walter Housten, Conrad Veidt, oh a whole crowd of people. And then we had an influx of American artists and technicians, Richard Dix, Richard Arlon, Madge Evans, oh a whole crowd. And the two cameramen were Glen MacWilliams and Charles Van Enger, and also we[…]
[…]reelancing, even during data this sometimes let me do a job for outside companies,Unknown Speaker 23:15 and I joined the majority of film technicians who were freelance, I did films for worldwide, edit films with Kay Mander, Mary Beals, I forgot was that data as director during the war, […]
[…]omething, I don't know what it is - and mood. But I think that was - if I had any strong point, that was it. I would never describe myself as a great technician, I mean there were people far more able than me to talk about what went on in the back rooms. But my original interest in going into the fi[…]
[…]’t get them to do it and this set would gradually melt, it was made of snow and they would melt and put it back another day. But he was a great technician, Guido he invented this machine for cobwebs, on a drill with rubber solution. Now we went out to do this film and the girl who played[…]
[…] was it. I would never describe myself as a great technician, I mean there were people far more able than […]
