[…] of Paddington, but because of the light it sheds on television broadcasting in its early, formative years. Â Michael first […]
[…]mployers trying to pass the risk on to their workers. But you've got a lot of people out there who want to get on in industries, I mean, the film and television industry be a case in point, they're keen to take any job that's going on any terms, often unpaid in some cases, and they get exploited as […]
[…]in, I mean, I'm a, I've only just retired, I've only just left it actually! I: So, that would have been ACTT? [The Association of Cinematograph, Television and Allied Technicians] R: Yes, ACTT. I: So, when you went Freelance, you were part of the Freelance branch of ACTT? R: Yes,[…]
[…]I think, right at the end. And so not exactly 10 years ago, I presented some some films at the Perth Cultural Centre in association with the film and television Institute. And they had plenty new prints and I've never seen anything so good at the bridge. So and so I found out where the prints would […]
[…] Well, I'm when I was in one of the musicals I met my my first partner, Cyril Ornade and when we started writing songs, and in those days, television used a lot of original material in the musical shows, in a Saturday show, for instance, it was boat race day or if somebody was coming over[…]