[…]going there was of course it enabled me to get my ticket ACT didn't have jurisdiction but they were happy enough to recruit membership from, from BBC Television. So I promptly applied for my ticket and got it, in round figures I was at 13000 my membership number. In terms of being a callb[…]
[…]atthews used to go through everything, I never did anything without writing a part for him. And Arthur Hill who later went over to become quite a big television name in America.RF: You must have some stories about A. E. Matthews.VG: Yes, Matty was a fabulous character, a lovable old man, he became a[…]
[…]ey 3:55 my mother was an actress and I think we joined her in front of our microphone at the age of 10. And the children's our broadcast, television, radio. My mother acted with the W Gate Theatre. She had acted with William poor who was either a pioneer in Shakespeare production in Engl[…]
[…]re and a little bit more, and, put it altogether, erm, and what Victor’s plan was, was that we would make the film, show it at film festivals, to get television interest because television people go to film festivals and then from that we would make all the money back by selling it to television sta[…]
[…]ment.Dennis Main Wilson Side 1Alan Lawson 0:00 The copyright of this recording is vested in the ACTT history project. Dennis Main Wilson, television producer, interviewer Norman Swallow, recorded on the Fourth of July 1991. Side one we're running.Norman Swallow: [NS:] 0:32 We'[…]
[…]recording is vested in the BECTU history project. Today's subject Gerald chambers are senior floor manager with experience at AR TV Rediffusion television and London Weekend Television. Gerald is now retired. The interviewer is john P. Hamilton, a member of the committee. The date Tuesday the […]
[…] it at film festivals, to get televisio n interest because television people go to film festivals and then from that […]
[…]everything you every picture you take. So yes, I have had a few story relationships in my my my freelance career, because even now we're freelance of television today, we don't eat tomorrow. So that's but that's different, because there I've got to back my judgment, because nobody else is interested[…]
British Entertainment History Project Interview No. 710 Interviewee: Anne Hanford, formerly Head of Television Library Services at the BBCInterviewer: Sue MaldenTranscriber: Linda Hall-Shaw SUE MALDEN: Thank you very much for talking to us Anne.ANNE HANFORD: […]
[…]e the critics even saw it, this was the strength of his public appeal and his quality as A man and creative artist, to have that module. There was no television, of course, opposition, so that made enormous difference. The same time this was exciting to have this so the public had that faith and res[…]
