[…]bit of production design. Ken Adams was the designer and Peter, ably assisted by Peter Lamont, you know, because all the submarines had to have under underwater traction. And they weren't engines they were coming in on on cables on the bottom. And I remember talking to Lewis about it. And he said, h[…]
[…] all left earlier than we should have walked out. Louis Malle had had enough like I did. He thought he knew he knew it all and went off with Cousteau underwater and I went off and iin the Three Sided triangle. And Alan Rennie left because he found the bathrooms too, too hot. And some of them a[…]
[…]e did the special effects here. Of course, we've got three Emmys for the special effects. Godfrey Gogar I've got it for camerawork, the, Claudio, the underwater camera man who died with a heart failure, Gill Opsot? and the special effects the American special effects steps. And we did it all on the […]
[…]rather said. I never would have never went out of the cutting room or anything anywhere. Mary Field used to go but I would be back at base went underwater the meantime, but I don't think I didn't go on the location. Absolutely. I agree. Absolutely. Yes. Yes.Margaret Thompson 18:07 […]
[…] "Rocky Horror". 01:38:02 U "The Deep" – story re making underwater protective cover for Jacqueline Bisset scene, locked in place […]
[…] of Side 4. Rodney Giesler: When I was there "The Underwater Search" was the big Mm in production. Even for […]
[…].01:38:02 - “The Deep” – story re making underwater protective cover for Jacqueline Bisset scene, locked in place by water pressure, still there today.01:39:30 - […]
[…]ng there.John Legard: I remember they had terrible industrial problems when they were building it.End of Side 4.Rodney Giesler: When I was there "The Underwater Search" was the big Mm in production. Even for Shell it was a mammoth production. It had to be. John Armstrong was directing it, and he had[…]
