[…] her for years and years and years. And thanks to her I then went to Leon Clore after World Wide. And the first film I did there was for the National Union of Teachers and it was called I Want to go to School. And that was really my best time because Leon was the most loyal producer who always stood[…]
[…]erms because elf has done and I would like to put this on record has done sterling work a technical no doubt about it. To many many people he was the union. He was there's no doubt about it I can recall lots of branch meetings at which there was a lot of agitation and sales will know quite a few hot[…]
[…], were interested in questions of rent and employment and so on, and you could get money, sponsorship, for them. Industrial films you could get trade union sponsorship. Spanish films - and the progressive film-makers were most of them enthusiastic for documentary film - they knew that they could giv[…]
[…]couldn't do anything, but when I'm not away and not on foreign locations and not terribly busy then I used to like, I thought well if you belong to a union you ought to know about it, and, and make it non-political and, and it's there for the benefit of the technicians, and I think that's terribly i[…]
[…] the latter shot in Canada; FY talks about working with Michael Powell in Canada.00:21:45 – 00:30:35 Changes in the crews – more electricians and the unions had come in at this point; FY discusses the early years of the union; AL asks about ‘quota quickies’; Thorold Dickinson asked FY to join him as[…]
[…] started me at er... because he said "You in the Union?" I said, "No." He said, "Well, you are now!" […]
[…] I was given a terrible shock. Apparently the ACTT, the union, had found out that I was under sixteen years […]
