[…] think about tomorrow's work. I'd go on the set two or three times, but providing all was going well by 10 o'clock that day was done.2. Locations and unionsRP: You always had all your movement orders to work out, if you were going on location, whether you were going abroad, or whether a daily locati[…]
[…] I was given a terrible shock. Apparently the ACTT, the union, had found out that I was under sixteen years […]
[…] were one of the first newsreel cameramen to join the union and to try to get your colleagues organised in […]
[…] in the States He became an active Chair of the Union’s Producer Director Committee in the Nineteen Eighties. I worked […]
[…]documentaries. And a lot of the time we were servicing other people's films. And it, it didn't matter what we did, because we weren't bothered by the union. If I was initially employed as a dubbing theatre, projectionists, which is something you'd be very familiar with. And it was eye bliss. When I […]
[…]documentaries. And a lot of the time we were servicing other people's films. And it, it didn't matter what we did, because we weren't bothered by the union. If I was initially employed as a dubbing theatre, projectionists, which is something you'd be very familiar with. And it was eye bliss. When I […]
[…]y girl called Kay Mander, who later became a great director, a great director of documentaries. Erm..and she was erm, she said to me, “are you in the union?” and I said ‘union?’ and she said “yes.. the ACT. It’s the association of cinematograph technicians, and I said ‘no’. She said ‘well, you can j[…]
