[…]d we used to distribute American films as well.
Sidney Cole: Did you have anything to do with labour relations and the negotiations with the trade unions in this job?
William Fielder: Er - when I, yes I did, quite a lot. I used to - I used to come across...oh...he's dead now.
Sidney Cole: S[…]
[…] yes. What do you think of acts standing up until the war?Speaker 2 27:12 Well, I always think back, particularly today, everybody knocks unions, but I remember how I used to work till two every morning. Saturdays and Sundays never get paid for it. So when a union came along, I thought, […]
[…] to death in order toget their budget and their cross plot look good. The Union is not just there toprotect us against the employers, but in our dealings with […]
[…]taff home and come back when they knew the picture would be ready to do a special edition of the news, and then lose their money because there was no union to protect them. That was wrong, that was very wrong.Fowler/Lawson: But I think what Roy was feeling is that, you know, shut away in as it […]
[…] Designers Guild and BECTU. In USA the guild is the union. In Britain it’s a ‘guild of excellence’ with affiliate […]
[…] from the start because there was a, there was a union disagreement and, and every single studio day the sets […]
[…] have to. And the day we started shooting the trade unions came out and drove their cars around and nine […]
[…] for the amount of time you’re being paid for. The Unions have no power any more, as I said earlier, […]
[…] sod it!" So I got on the 'phone to the union office - more-or-less to have a moan than anything […]
[…] we, and… Yes. In terms of comedy there, there were union situations, there was Hugh and, Hugh and I, which […]
