[…]ctors only allowed the lighting caravan of the director and maybe the editor, but artists will quite often not allowed into the into the theatre, the writers theatre and also the no other people these days you look around Russia theatre and you see masses of secretaries and everybody which is great […]
[…]lin Moffat: Had Ian been a producer before that point, a feature-film producer?Cyril Pennington-Richards: No I don't think he had, he was a writer basically. An extremely nice man, absolute dear, I mean there was no question, he was an absolute sweetheart. But he wasn't tough enough you kn[…]
[…]r: Margaret Thompson MT: This is Margaret Thompson interviewing Marion Grierson; documentary film director, editor reporter, literary editor and writer.these were the professions that she followed in the early years of documentary filmmaking. She later went on to become Area Youth Work Coordina[…]
[…]m the studio, there was a new pub being built, and they wanted people to write in to get the name of this new pub a name, and there was a competition writer descent the other and this woman, film editor Kath Miller, won the prize. And the pub is called Emma Emma Hamilton. Emma Hamilton, so I can't r[…]
[…]No that when Cavalcanti left Ian Dalrymple was brought in who was a highly professional former supervising editor of Gaumont British and then a writer for Korda and who actually directed a film with John Mills I can't remember its title as a feature film but he was highly professional so[…]
[…] time, he said well change the story, I said there is not even the beginning of a story for £13,000, well change the whole thing, did you ever meet a writer called Brock Williams, so I used to phone Brock out of shear desperation, I've got to make a picture which has got to cost £13,000, well I'll c[…]
